Life is all about capitalizing on your opportunities.
You only get to do it once, so you've got to make the most of it, right? For example, if you're lucky, sometime during your life you'll be able to bust an international arms deal wide open. However, getting the drop on coke-heads and weapons dealers is a rare occasion to be savored, and doesn't happen often; you've got to make the most out of it.
And here's how:
TREJO: "Who the fuck is this?"
BUSEY: "Your worst nightmare, butthorn!"
OLD WHITE GUY: "McBain!"
BUSEY: "Yeah!"
Trying to be a comedian is futile, because I'll never be as funny as this.
Thursday, May 29
GARY BUSEY: GENIUS OR MADMAN? PT. 2
THE NEW SLANG: "HOT GARBAGE"
"Hot Garbage" is a term that, I believe, was coined by my friend Chuck.
During the still, dead heat of an Arizona summer, hot garbage is all around: it surrounds the loading dock on the east side of the Memorial Union, it haunts the narrow passageways behind ghetto Safeways and lingers at the back entrance of every restaurant, and it creeps up on you when you take out bloated bags of trash in the middle of an August day.
Every parking lot in Phoenix has the same goddamn dumpster, the same blue eyesore surrounded by glittering diamonds of broken safety glass. During the summer, these metal dumpsters heat up underneath the brutal afternoon sun, and they become gigantic convection ovens, literally baking the piles of garbage inside. As you walk by, you can smell the mingling odors cooking : the sickly-sweet rot hanging in the atmosphere, palpably, like wet gossamer strands of silk borne up on rising currents of air.
This is hot garbage, and it has become totally synonymous with my life in Phoenix: the idea, the vary concept of it (both hot garbage and life in phoenix) seems miserable, and something to avoid...but when I'm gone, I'll probably miss it.
Labelz hot garbage, The New Slang, true life
THE MAN BEHIND THE CURTAIN
Tonight I searched for "Lil' Wayne", and found the video below.
What the fuck is this? I wondered aloud while watching. It's not a music video, nor is it a freestyle, nor is it an interview; rather, it's just a casual video Wayne filmed for his fans, updating them on various current events within his life and music career. It is, just like Wayne himself, fascinating. I've dissected it point-by-point below.
0:09- The video begins casually. "Hello world," Wayne states, assuming (of course) that the entire world is watching. He begins by wiping his mouth; as we can see from the open pizza box in front of him, he is "enjoying some fresh Dominoes". Fucking awesome.
0:16- Members of Wayne's entourage include: "Lil' Mac Man" (originally I misheard his name as "Lil' Pac Man", but that proved too good to be true), "Lil' T", and "Streetz". Why does Wayne insist upon surrounding himself with people who's names begin with "Lil'"? My guess? Napoleon complex.
0:43- Why is this being recorded? Even Wayne himself doesn't seem to know. "We just checked in to...umm...let y'all know what we doin'". He then informs us that his new album, Tha Carter 3, has been leaked online. Instead of being upset, however, he seems downright apologetic; as if the leak is his fault, as if he should have been guarding his music more fiercely. Wayne's bemused shrug regarding the leak seems to say, "well fuck, I guess this is my fault for making music that's so damn good."
0:54- Wayne responds to the leak by deciding to release a new mixtape called "Tha Leak", proving that he's just looking for excuses to release mixtapes. Other excuses to make mixtapes that could also serve as mixtape titles include: "My Flight Got Canceled", "It's a Tuesday Night", and "Sorry These Library Books Are Late".
1:16- "Beeyotch!"
1:22- A liter of Wayne's Hawaiian Codeine Punch makes a cameo appearance, delivered personally by an as-yet-unseen member of Wayne's entourage named "Scott". Why does Scott have to deliver drug-spiked beverages, and why does he not get a rap moniker like Lil' T and Lil' Mac Man? The world may never know.
2:00- Wayne announces his plans for yet another side project: an honest-to-god band called "Badass Grasshopper". Seriously. "Badass Grasshopper" proves that 1) Wayne should stop making career plans while high out of his fucking mind, and 2) Wayne offically went crazy like, two years ago. That being said, I would still buy the album.
2:34- Wayne spontaneously decides to make a Badass Grasshopper mixtape called "Rap, Rock, R&B", so he can "try to prepare (us)". Also, I just realized that while Wayne is talking about himself and filming himself, he's also listening to his own music, which is playing in the background.
3:08- "And umm...I'm single, ladies. Ya dig?" And suddenly, the video turns into a personal testimonial from match.com. Apparently if you're a single lady trying to get with Lil' Wayne, you must first be approved by his eight-year-old daughter. I can only try to imagine what her life is like.
3:47- "We just got the liquor deal". In addition to making music, music videos, and mixtapes, Wayne will soon start to produce his own brand of champagne. He goes on to petition his fans for possible names for his champagne, because as we've seen, Wayne isn't too good at naming things (see "Badass Grasshopper"). My proposed champagne name? "Lil' Wayne's Crazy Juice".
4:37- While smoking a blunt, Wayne reiterates that yes, in case you didn't hear him before, he is single. Or, as he puts it, "single, ready to mingle, and I got Pringles".
5:29- "Rest in peace, Bruce Lee...and Brandon Lee, man."
The video ends with random shoutouts; Lil' Wayne takes another hit off the blunt, pours himself some more Hawaiian Codeine Punch, and signs off. I'm left baffled; partly wondering if Lil' Wayne actually exists, partly wondering why I watched this video over and over and over.
Ya dig?
Labelz hip-hop, lil' wayne, music, really long posts, videos
Monday, May 26
Friday, May 23
Monday, May 19
THE BEST RAPPER ALIVE
IF YOU HAVEN'T LISTENED TO LIL' WAYNE, you haven't listened to hip-hop.
I know that seems like a bold statement, but then again, Wayne is a bold statement. Dreads tied back, eyes constantly bloodshot, his voice creaking and rasping like a rusty hinge, he seems more like a hyperactive cartoon than a living, breathing person. My brother refers to him as "the rapper that looks like the alien from Predator". This is surprisingly apt; Wayne seems more comfortable comparing himself to mythical creatures than to other rappers, referring to himself as "a martian", "a creature, monster like the Loch Ness". It's almost easier to believe that he is an alien; the last survivor of a far-away planet where everyday communication is achieved through stream-of-consciousness freestyles, and the atmosphere is comprised of blunt-smoke instead of normal, breathable air.
Lil' Wayne has the words "FEAR GOD" tattooed on his eyelids. Can you even imagine the excruciating pain such an act would entail? No, neither can I. And neither can any other MC on the planet. But as we've already established, Wayne comes from a planet all his own, and to him such an act is almost humdrum.
Hubris is a necessity in the rap game. Jay-Z established himself as "God MC" on "Takeover", and Kayne has parlayed an entire career out of talking shit, comparing himself to Jesus Christ, even going so far as to hire a personal assistant to push his oversized ego around in a wheelbarrow. Currently, these boasts go unfounded: Jay-Z is now 38, and has long since traded his wife-beaters and chains for Armani suits and diamond-studded cuff links. Kanye's empire is designed to make you forget that he's principally a producer, and not a rapper; meanwhile, he's busy making millions of dollars off of ringtones and novelty sunglasses and sped-up soul samples, laughing all the way to his solid-gold castle on the surface of the moon. With hubris like this, it's almost hard to take Lil' Wayne seriously when he refers to himself as "the best rapper alive".
But Weezy isn't fucking around. He's not a CEO, nor is he a fashion designer. He's a fucking rapper. Wayne is the street: he smokes blunt after blunt on a nightly basis, he's addicted to codeine mixed with Hawaiian Punch, he's accidentally shot himself in the chest and been shot by a jealous groupie, and he's currently facing weapons and narcotics charges in Yuma, Arizona.
For a pothead, his work ethic is staggering. Since 2003, he's released two studio albums, eleven mixtapes (!), and provided guest verses for over 130 different songs (!!!). In the time it's taken you to read this, Wayne has recorded five different songs, scrapped them, re-recorded them, and remixed them all himself.
His studio albums are great, don't get me wrong, but if you want to experience Wayne in all of his glory, go for the mixtapes. Wayne offers them for free online, which allows him to sample tracks that would otherwise be out of his reach. On the mixtapes, anything goes: he frequently steals other rapper's beats and utilizes them better himself. Freestyles abound, and you can practically hear him smiling as he drops punchline after punchline, creating fragile house-of-card rhyme schemes. Sometimes he raps with a Jamaican accent for no reason whatsoever.
Look for Dedication 2 or Da Drought 2. Listen to him rhyme over a Beatles sample on "Help". Check out the bizarre codeine-cowritten drug anthem "I Feel Like Dying". Perhaps most impressive is "Georgia...Bush", a scathing, conspiracy-filled indictment of Bush's involvement with Katrina.
But first, listen to this. It's called "Sportscenter" off Dedication 2, and it nicely summarizes everything I love about Lil' Wayne. The topic is sports, and for the first minute or so, Wayne soliloquies about the shows he watches on ESPN and how much he loves hockey. But then the beat kicks in, and Lil' Wayne is spitting 900 miles an hour. "I'm from New Orleans, nowhere near peace/Pure beast, fear-free, dear grief/ Catch up, bitch, I'm in gear three/zoom, gone, see ya, peace, drop one finger." Indeed. Oh, and the beat he's rapping over? It's the sound of a bouncing tennis ball.
So, let's raise our glasses in honor of Lil' Wayne, and his new album Tha Carter III.
To the best rapper alive.
Labelz hip-hop, jay-z, kanye, lil' wayne, music
Sunday, May 18
Saturday, May 17
SOMEONE STOLE THE CONCEPT FOR THIS SNOOP DOGG VIDEO DIRECTLY FROM MY DREAMS (AND I DEMAND COMPENSATION)
HOLY SHIT.
"Okay Snoop, here's what we're going to do for your new video: we're going to dress you up in a series of costumes purchased from Savers and have you play keytar while a few barely-interested women writhe in front of you, and we're going to film it all with a camcorder I found in my step-dad's basement. Also, how do you feel about riding a UFO?"
Yeah, you should really watch this.
"MY PRETENTIOUS ADOLESCENT POETRY"
Who sees the breeze among the trees,
amid the emerald frond, the fragrant bloom?
Who views the thrive of the honey-bee hive
as it swings and shudders beneath the moon?
Who hears the breeze among the trees,
the Autumn hues, dark October sky,
like a wind through folded paper wings,
an ancient mummy’s sigh.
Tuesday, May 13
GIRLS I'VE KNOWN, PART 1: "ELOI AND MORLOCK"
Like most of the physical and psychological traumas of my youth, it started in gym class. I was forced to “wrestle” with a post-pubescent ogre named Chad (I use the term “wrestle” loosely, because it implies some sort of back-and-forth competition. In the case of Chad vs. myself, however, there was little contest; imagine a giant hairless gorilla tossing around an anorexic scarecrow for amusement).
Chad had permanently sweaty hair and hands the size of baseball gloves. A jutting Cro-Magnon brow hung like a shelf above his lusterless, grey eyes, and his body was made up of cords of sinewy muscle. Despite these simian characteristics I remember thinking of Chad as a fish, lurking deep in the muddy waters of middle school, occasionally rising to the surface to swallow bugs like me in a single gulp.
After “wrestling” for a few minutes, Chad grew tired of the little opposition I provided him. He wrapped his catcher’s mitt of a hand around my right foot and abruptly squeezed. Metatarsals and phalanges snapped like brittle twigs. Dizzying explosions of light danced on the backs of my eyelids, and I yelped like a mangy, miserable dog.
I crawled across the fold-out mats on my hands and knees until I was staring at the Coach’s florescent yellow running shoes.
“May I please be excused to go to the nurse?” I asked.
“Why?” he replied, his voice drifting down from above.
“Because I’m pretty sure Chad just broke my foot.”
“No. Stay here ‘til the end of the period. Then you can go get some ice or something.”
As it turned out, my foot required a lot more than just ice. Chad broke three bones and managed to bruise three more. By the time I ended up in the nurse’s office, my foot had puffed up and darkened in color, and by the end of the day, it had been sealed away in a plaster tomb of a cast, thus ending my brief foray into the world of wrestling forever.
Chad approached me a few days later as I was hobbling across campus.
“Um, I’m sorry I broke your foot” he said, smiling the entire time.
I didn’t say a single thing. Instead, I limped away, trying to look as stoic as possible.
Perhaps I should have thanked him: since my foot had been crushed like a walnut, I was allowed to skip the remaining semester of P.E. This delighted me, until I found out what I’d be forced to do instead: I would be required to aide Mrs. Bonnell, the art teacher, and Mrs. Von Peterson, the typing teacher, for the rest of the year.
My spirits sank.
Working with Mrs. Bonnell was easy. She was the art teacher and I was one of the art kids; I’d worked with her at the Ritz-Carlton, teaching martini-drinking yuppies how to use a linoleum block printer to waste paper and paint. She kept all of my pictures and paintings locked in her office (she eventually stole them for her private collection, however). She and I were unorganized, socially-awkward, and easily distracted. We got along fine.
Getting on with Mrs. Von Peterson was a different story. I’d been forced to attempt her typing class the previous semester and nearly failed; my fingers refused to dance across the QWERTY row like I envisioned, producing failure that moved at the snail’s pace of twenty words a minute. I remember her pale, flabby body looked like it had been shaped out of dough by a nearsighted baker. She would periodically bend over in order to observe my horrible typing, and whenever she did, her pendulous breasts would swing back and forth like misshapen sacks of laundry hanging in the wind. Von Peterson was the antithesis of beauty.
Soon, my indentured servitude to Bonnell and Von Peterson began. Every day I would arrive a half hour early in order to unlock the doors and prepare for the day: filling palettes with dollops of paint, warming up rows and rows of computers, cutting lumps of clay with a sharp strand of copper wire, and making pot after pot of Folgers Coffee, all while limping on my broken foot. In my scant moments of free time I would secretively read in the back room (I believe I read most of Robinson Crusoe by Daniel Defoe and Earth Abides by George R. Stewart, both of which fittingly deal with isolation and loneliness).
This continued, and eventually became routine. The menial busywork lessened, and I was left with more and more time spent in the back room in the company of fictional characters who were just as lonely as I was. Of course that’s when I noticed her.
From my vantage point all I could see was her hair flowing down the nape of her neck like twisting curls of ephemeral black smoke. She sat with perfect posture while her fingers pecked the keys with dizzying speed and accuracy. Her smile seemed capable of powering and entire city’s worth of streetlights. At that point in my life I hadn’t read any of the romantic poets, but seeing her for the first time was a crash course in Wordsworth, Coleridge, and Keats all in the span of fifteen seconds.
Her name was Corrine. Say it soft, I thought, and it sounds just like praying; say it loud and there’s goddamn music playing.
These were dangerous thoughts in middle school. If I were to admit to others that Corrine spontaneously made West Side Story lyrics materialize in my head, I would’ve gotten my ass handed to me on a daily basis. But here’s the wonderful truth: every homophobe, every conservative gun-toting republican, every swaggering machismo asshole, all the apelike Chads of the world…they’ve all had their Corrine and they’ve all waxed poetic about her, only to quickly recover, and smooth over this chink in their armor with an imperturbable, rough veneer of cold domestic beer and indifference.
But I digress.
I developed a crush on Corrine; a hopeless, pointless crush ultimately destined to go nowhere. I sat in the narrow back room, alternating between looking at her through the narrow spaces between the blinds, looking down at my broken leg, and sighing. In my experience, there’s a direct correlation between newly discovered interest in the opposite sex and amount of time spent sighing: as one rises, the other is sure to follow.
Eventually, I mustered up enough courage to ask Corrine out on a date. She accepted. We spent a magical evening together on a checkered picnic blanket, gazing up at the night as unnamed constellations spun above us. She looked at me and smiled, and millions of light-years away, a fiery supernova exploded. We kissed, a testament of teenage love, and in that moment, nothing else mattered.
But of course, none of the previous paragraph actually happened. That’s just a bunch of saccharine Danielle Steele bullshit I made up; a faux-happy ending of sorts. In reality, nothing happened at all. I convinced myself I didn’t stand a chance with a girl like Corrine, so I didn’t even try. If your station in life is to be a Morlock, I thought, how can you ask one of the Eloi out on a date?
Since then, a few things have changed. I’ve re-read Robinson Crusoe and Earth Abides a few times, and they don’t seem as desperately lonely as they did at the time. I no longer ascribe to the whole Eloi/Morlock mentality; beautiful women are not inherently unapproachable or above my standing. Most of the time.
My right foot still is bent in an odd way from the break, though. I suppose it always will be.
Thursday, May 8
PLEASE, SPY ON ME WITH THE INTERNETS
So yeah, I'm on this thing called Twitter now. See, here I am. Hello.
So far I'm "following" Robby Walker, our good friend Mat, Lil' Wayne, and Barack Obama. I'm pretty sure Barack's twitter account is managed by one of his lackeys, but I like to think that Lil' Wayne actually updates himself: "Yo this weezy Im out here in Vegas Just waking up I had a long night Ya Diiig!!!" Direct quote.
Also, I really like that Twitter uses the term "follow", acknowledging how stalkerish and voyeuristic the Internet is becoming. It's kind of disgusting.
Now if you'll excuse me, I'm off to check out my facebook news feed, read some of my ex-girlfriend's blog, check my RSS news aggregator, and strip for Russian businessmen with my webcam and raw sex appeal. brb.
Labelz internetz, lil' wayne, Obama love, twitter
Tuesday, May 6
"127"
Do you see him?
He’s in the parking lot now, creeping slowly. Watch how his eyes dart nervously from window to window, peering around corners. Watching for movement of any kind. Surely you would have missed him if I were not here to point him out to you; it's a dark night, and the only light comes from a streetlight across the way and the thin sliver of the moon that watches, like a squinted eye, from the sky above. Regardless, he would have been difficult to spot, for he is a man who certainly wishes not to be seen.
Watch how he hugs the base of the walls as he walks; it’s almost as if he were more of a shade or shadow than a man such as you or me. His feet are careful. Well placed. He cautiously rolls them, toe to heel, making the least amount of noise possible. It’s as if he emulates the feral cats that lurk our city’s streets: his shoulders hunched, careful to distribute weight evenly on the broad soles of his feet, each step meticulously avoiding shards of broken glass and gravel that crunch loudly underfoot.
Surely you must see him by now! Even I, with my poor eyesight, can see him.
By this point, he’s crossed the full length of the parking lot, and is slinking alongside the main pathway that leads to the center of the apartments, carefully treading on patches of green grass that yield silently underfoot.
Suddenly he stops.
His hands slide over the cool stucco walls that encircle the patio of an apartment across the way. Once his hands find a solid grip, the man pulls himself up gracefully, hoisting himself up onto the six-foot wall. He pauses for a brief moment, crouched atop the wall like a gargoyle, and at seems as if he were merely a fluid extension of the wall itself.
It seems as if he’s done this before, does it not?
And what of the innocent apartment beneath this shadowy man? The crooked brass letters fixed firmly to the door read 127, an apartment that is, without a doubt, virtually identical to the apartment in which we now reside: a similar moderately furnished bedroom; the same grimy, poorly lit bathroom complete with leaking faucets and patches of mildew that creep slowly up the walls like reaching hands; the same patio, surrounded by the same stucco wall (which, instead of serving as a means of privacy and protection for the resident of Apartment 127 as it was intended, now serves as a perch for our dark intruder).
You want to cry out, don’t you? You want to yell to this sinister character that you’ve spotted him; to scream that you’re going to call the police, no, that you’ve already called the police and that they’re going to be here any second.
No. Let us watch for a moment instead. Calling the police would serve little purpose; this is a dangerous city. Broken shards of glass call out in the streets like diamonds. Streets you don't use after the streetlamps come on, paved with dirty syringes and fragments of bone and used condoms and dried spatters of blood. Everyone's learned to sleep through gunshots that pop in the dark spaces of the night. Everyone knows someone that died here. Even the police stay away. The screams here go unheard, or ignored.
And with a slight push forward, Jeremy dropped silently onto the patio of Apartment 127.
His eyes studied the arcadia door in front of him. He peered through the dirty glass into the dark apartment, searching for any signs of movement. As he waited, he removed a cigarette from his jacket pocket, careful to light it purposefully and quietly and to hide the burning tip with the palm of his hand. The cigarette itself was a brand he was unfamiliar with: a Benson & Hedges he’d stolen from Ms. Vivian Relf (the resident of Apartment 322) three weeks prior.
Minutes passed.
Satisfied that no one was home, Jeremy advanced closer to the door. From one of his pockets he pulled a thin strip of metal, which he then proceeded to slide between the door and the doorframe just beneath the latch. His rough hands pressed upward slowly, applying more and more pressure, until he heard the quiet crack of the latch springing free of its hinge.
He slid the arcadia door open and stepped inside.
Jeremy did not consider it “breaking and entering”; to him, the phrase seemed dirty and crude.
Rather, he preferred to think of it as “house-sitting” or “visiting without an invitation”. Very rarely did he steal anything from the houses and apartments he visited…except for alcohol, cigarettes, and pornography; but these were all dangerous vices, and in Jeremy’s mind, he was doing their owners a favor by removing them.
During his visits Jeremy overturned furniture and emptied cabinets, spilling their contents onto the floor. He urinated on bedroom carpets. Once he even spray-painted someone's pet iguana.
Upon returning home, the resident would realize that their innocent home had been broken into by a common criminal, at which point the tenant usually took great care to replace locks, install bars on the windows, and generally transform their previously innocent home into an impenetrable fortress. In this way, Jeremy considered his visits a great service to the apartment’s proper residents; none of their valuables (save for alcohol, cigarettes, and pornography) had been stolen, and for the simple cost of a few new locks on the doors, a great change had been made: their home was now safe from real criminals.
Or at least this is what Jeremy told himself.
According to the stack of mail sitting next to the front door, Apartment 127 belonged to J. Thomas Weatherman, but Jeremy had never, in fact, actually seen the man entering of leaving his apartment. He’d been attracted to 127 by the simple handwritten sign on the door that read
No solicitors
Day sleeper…please do not ring bell!
A day sleeper suggested some sort of night job, which provided the perfect opportunity for Jeremy’s nighttime intrusion.
For days he'd watched 127. He observed a silver Honda Civic parked in 127’s designated space during the day, and subsequently observed the absence of that same Honda Civic at night.
And yet, he never actually saw this J. Thomas Weatherman himself. And so, Jeremy set forth, wandering throughout Weatherman’s apartment, hoping to assemble some sort of picture of the man based upon his belongings.
The first thing he noticed was the smell. Upon examining the kitchen, he found three swollen garbage bags (one of which was leaking some sort of putrid liquid onto the linoleum tile beneath). The kitchen itself was otherwise tidy, yet devoid of food, save for takeout boxes and a row of frozen pizzas lined up in the freezer.
The kitchen of a bachelor, Jeremy thought to himself.
He also noted the absence of both bottles of alcohol and packs of cigarettes, which disappointed him greatly. He continued his search.
With no small level of contempt, Jeremy noted that not only did J. Thomas Weatherman possess two copies of the bible, but also an absurdly large wooden crucifix which hung on the wall above his dining room table. He cursed under his breath, bemoaning the dumb, stupid fucking luck that had led him to break into the home of a Christian bachelor.
Jeremy removed the crucifix from the wall and dropped it into a garbage can.
And just when Jeremy was loosing interest in 127, in its stacks of yellowed paperback mystery novels and its cheap Ikea coffee table, its unlabeled videocassettes and makeshift plywood bookshelves, just when Jeremy was about to abandon the apartment of J. Thomas Weatherman, the Civic-driving God-loving bachelor, entirely, he noticed the bedroom door.
And he was curious.
As Jeremy stepped into Weatherman’s bedroom, the smell that he’d previously attributed to the kitchen garbage seemed to intensify. The air grew thick and hot. He tried flicking the light switch near the door, but the room remained shrouded in darkness, but his eyes slowly began to adjust to the gloom.
The room was sparse and somewhat disappointing. Through the darkness he was able to make out the broad outline of a bed, and then a lamp, and then the contrast of another crucifix against the stark white wall of the bedroom.
Jeremy sighed. It was like spying on a goddamn monk.
But as his eyes became more and more adjusted, Jeremy noticed something else.
Instead of the usual cheap sliding doors that Jeremy had come to expect from this sort of apartment (the type of doors that usually lead to walk-in closets) there was some very large and very dark set into the wall. Using the small flame of his Zippo lighter, Jeremy looked closer.
It was a huge door, stretching from the floor to the ceiling, and it was very much out of place. Something custom made. It was made from a dark, sturdy looking wood, with broad metal hinges stretching from side to side. The left side of the door was lined with a series of sliding deadbolts that held the door firmly in place.
The smell was even stronger now. Enough to make Jeremy cover his mouth.
And yet, he was curious.
He slid the locks back, one by one.
It seems that our shadowy trespasser had disappeared, does it not?
It’s been twenty or so minutes since he disappeared over the wall, and although I have not been watching as intently as you have been, I dare say that I have not heard or seen any manner of movement from 127 for quite some time. In this ungodly hour of the night, nothing seems to be moving at all: not a car has entered nor exited the apartment; even the road is quiet and desolate.
Except for the gray sedan that's pulling into the parking lot now.
Jeremy slid the door open, and a wave of sickly heat swam over him. The smell intensified and became a swarming cloud of gnats, swimming thickly around his head while trying to penetrate entry into his mouth, nose, and eyes.
This was not right. Every part of his body screamed for him to run: his insides churning, knotting up in his chest; his heart pounding like the taut beat of a snare drum; the thin film of grimy sweat coursing from every pore of his body.
And yet…he was still curious.
Hesitantly, he let the flickering light of the Zippo shine upon what was inside.
It was a woman. Or rather, what used to be a woman. Laid back and twisted, her body contorted on some sort of chair, ankles and wrists bound with wraps of silver wire. The walls were painted with peeling, blistering layers of her black blood; her belly, cut from top to bottom like an eviscerated fish, her insides unraveled and churning with maggots in a neat pile on the floor, hunks of bloated meat and bruised snakes of sausage; her cloudy eyes, open, staring at him; her mouth frozen and contorted into some kind of horrible silent scream and her tongue, Jesus Christ, her black, swollen tongue hung from the corner of her open jaw.
Jeremy reeled, staggering. Trembling. Trying to speak. Unfocused, a low moan rising from the back of his throat. The tracks of tears running from the corners of his eyes. He vomited.
J. Thomas Weatherman, the solitary bachelor.
The faithful, practicing Christian.
The butcher of women.
Suddenly Jeremy’s ears perked, whipping his head quickly around towards the source of the noise as his feet staggered, unsteady beneath him.
It was the sound of the front door being unlocked.
Jeremy lurched quickly around the room, panicking, his hand pressed tightly over his lips to stifle the screams that died to escape his lips. He dove beneath Weatherman’s bed, pushing his small body as far into the corner as it would go.
He could hear footsteps clicking on the linoleum kitchen floor.
Jeremy felt his own hot urine stream down his thighs, soaking the carpet.
From beneath the bed his trembling eyes watched the bedroom brighten as Weatherman opened the bedroom door.
And just as Weatherman noticed the broad wooden door that Jeremy had carelessly left open, and as Weatherman detected the warm puddle of vomit left soaking into the carpet before him, Jeremy closed his eyes and began to pray.
You heard it, did you not? The muffled scream that echoed from inside 127?
Yes. I heard it too. I've heard similar screams before.
I told you. This is a bad city, and this neighborhood is even worse: a place where calling the police is a waste of time, because none of them will come here after the streetlamps come on. It's a neighborhood where screams go unheard. Or ignored.
Labelz fiction





